High-end retouching for photographers, brands and magazines — remote, worldwide. Beauty, fashion, composite, product. Obsessed with texture, honest with color, on time with files.
Pick a frame, then drag across the photo to compare the raw file with the final.
All layers hidden. Bold move. Turn one back on ↑
Full series, start to finish. Open a folder to flip through every final frame.
Pages and posts I retouched for magazines, beauty brands and agencies. Click a clipping to look closer.
What you can stack on your shoot. Prices are per final image in USD. Series of 10+ frames: −15%. Rush, under 24h: +30%.
Skin cleanup, light and color correction, crop. For portraits that should still look like the person.
from $15Dodge & burn, frequency separation, hair, makeup and shape. Pores stay. Plastic doesn’t.
from $45Clipping, compositing, consistent color across a whole series, prep for print and digital.
from $80Clean backgrounds, shadows and reflections, true-to-life product color for catalogs and stores.
from $25
hi, it’s me
I’ve been retouching for ten years — I started at 19 and never stopped zooming in. I literally have a Photoshop tattoo, so yes — it’s serious.
What I love most is texture. Skin first — pores, peach fuzz, the real stuff — but also fabric, metal, glass. If it has a surface, I want it to look alive, not plastic.
A couple of sample files and a reference are enough — I’ll reply with timing and a quote.
Vogue Australia ✳ Harper’s Bazaar ✳ Tiffany & Co. ✳ NARS Cosmetics ✳ NYX Cosmetics ✳ KIKO Milano ✳ ARTDECO ✳ Inglot ✳ Elisabetta Franchi ✳ Alo ✳ Nevs Model Agency ✳ Dreamingless (cover) ✳ GRIS Magazine (cover) ✳ Like A Lion Magazine ✳ Trend Privé Magazine ✳ Retouching Academy ✳ Makeup My Mood
Some of this work is under NDA, so it isn’t in the portfolio. Happy to talk about it privately.